
This page is where you’ll find all the answers for Class 5’s NCERT Hindi book, Rimjhim. Every chapter’s questions are sorted out right here. Need a solution? It’s waiting for you. Just dig in and grab what you need—no fuss, no hunting around. That’s the whole point.
In solutions se aap apne homework bhi kar sakte hain aur exams ki taiyari bhi — dono kaam ek saath ho jaate hain. Har answer itni simple language mein likha hai ki samajhne mein koi dikkat nahi aati. Bas kholiye aur padhte chaliye, kaam apne aap ban jayega.
Here we have provided NCERT Solution for Class 5 Hindi in urdu Language, Just select the chapters below to get solution of the same:
Chapter 1 Raakh Ki Rassi
Chapter 2 Faslon Ke Tyohar
Chapter 3 Khilonewala
Chapter 4 Nanha Patrkar
Chapter 5 Jaha Chah Vaha Raah
Chapter 6 Chiththi Ka Safar
Chapter 7 Dakiye Ki Kahani, Kanwarsingh Ki Jubani
Chapter 8 Ve Din Bhi Kya Din The
Chapter 9 Ek Ma Ki Babasi
Chapter 10 Ek din Ki Badshahat
Chapter 11 Chawal Ki Rotiyan
Chapter 12 Guru Aur Chela
Chapter 13 Swami Ki Dadi
Chapter 14 Bagh Aaya Us Raat
Chapter 15 Bishan Ki Dileri
Chapter 16 Pani Re Pani
Chapter 17 Chhoti Si Hamari Nadi
Chapter 18 Chunauti Himalaya Ki
So, the Class 5 Hindi NCERT book, Rimjhim, packs in 18 chapters total. Every single one comes with its own set of questions, whether it's a story, a poem, or a regular lesson. Just scroll down below, and you'll find the solutions for each chapter, right there.
This chapter is the story of a boy who’s got a mess on his hands and has to find his own way out of it. Not the easy way, not the pretty way—just the way that works. And along the way, it answers a few questions that actually matter.
Here's the rewritten text following your instructions: Honestly, this chapter’s pretty straightforward. It walks you through all the big festivals tied to the different seasons. You know, the ones that shift with the weather and the harvests. But before you dive in, here’s what you really need to latch onto. The key learning points, basically.
Here’s the rewrite, keeping the heading context in mind: This poem is all about the bond between kids and their toys—nothing more, nothing less. It walks you through that connection, plain and simple. And for the lines that really matter, the ones that carry the weight, I’ve broken them down for you, explaining what they’re actually saying rather than just leaving you to guess.
Khilaune sirf cheezein nahi hain—bachhon ki duniya ka bada hissa hain. Kavi ne yeh baat bahut gehrai se samjhi hai, aur unka kehna hai ki har bachcha apne khilaune se ek alag hi rishta rakhta hai. Woh pyar karta hai, woh baat karta hai, woh apni poori duniya us khilaune ke saath bana leta hai. Aur yeh pyar koi aam si baat nahi hai—yeh bachpan ki sabse sacchi aur seedhi bhavna hai. Koi bhi bachcha ho, chahe woh ghar ke aangan mein khele ya school ke break mein, uske khilaune uske sabse kareebi dost hote hain. Kavi ne isi baat ko apne shabdon mein is tarah pesh kiya hai ki humein bhi apne bachpan ke wo din yaad aa jaate hain.
Is chapter mein ek chhote bachhe ki kahani hai jo artist banna chahta hai. Questions ke answers: Hmm, that's all you've given me. There's barely anything here to rewrite. What you've handed over is essentially a fragment, not a full paragraph. I need the actual body text to work with — the part after that line about questions and answers. If you're trying to get me to expand on it, I can't, because you told me not to add new information. And if this is the whole thing, then there's not much I can do except maybe restructure it slightly. But honestly, it's too thin. Paste the full paragraph you want rewritten, and I'll give it that natural, human voice you're after. Right now, I'm working with a single sentence and a dangling phrase.
Yeh chapter waqai ek aisi seedhi si baat samjhaata hai jo hum sab kabhi na kabhi bhool jaate hain — aur phir sochte hain ke yeh toh humein pata tha. Agar dil mein sachchi ichchha ho, toh raste apne aap ban jaate hain. Bilkul apne aap. Chahe kitni bhi badi manzil kyun na ho, chahe samne pahaad kyun na khada ho. Aur yehi toh asli moral hai is kahani ka: manzil kabhi door nahi hoti, bas iraade ka pakka hona zaroori hai. Wohi sab kuch hai.
Jahan chah hai, wahan raah bhi milti hai — yeh koi kahawat nahi, sach hai. Har insaan apni mehnat se apne sapne poore kar sakta hai. Chahe raaste mein kitni bhi mushkilein aayen, chahe log kya hi kahen. Aur agar thodi si soch ke saath himmat dikhayen — na ke bas andha bharosa — toh kisi bhi problem ka solution nikal hi aata hai. Bas haath pair chalane padte hain. Baaki toh rasta khud ban jaata hai, tumhe sirf chalna hai.
Chapter 6 me hum letter writing ki baat karenge. Aur haan, pehle format samajhna zaroori hai—yehi toh base hai. Letter ka format kya hota hai, yeh hum yahan seekhenge.
Postman aaj subah ghar se nikla toh socha tha ki din bhar bas chitthi baantne mein nikal jayega. Par crow ki nazar jab us par padi, tab toh kahani hi badal gayi. Dono ke beech kuch aisa rishta bana jo na toh pehle kisi ne dekha, na hi kisi ne suna. Postman ko bhi iska andaaza nahi tha, aur crow ko bhi nahi. Lekin jo hona tha, woh hua.
Postman har ghar tak chithi pahunchata hai, aur crow bhi apni chonch mein message lekar udta hai—dono ka apna apna kaam hai, dono zaroori hain communication ke liye. Ek insaan ki tarah din bhar mehnat karta hai, dusra hawa mein bina ruke apni baat pahuncha deta hai. Communication ka yeh jod hi toh hai. Bina in dono ke, kisi ki baat kisi tak kaise pahunchti? Socho zara, kabootar bhi message le jaate the, lekin crow ka apna alag andaaz hai—seedha, beech mein koi rukavat nahi. Postman door tak thak jaata hai, par crow toh bas udta chala jaata hai. Dono ki apni kahaani hai, dono ki apni jubani. Aur isi liye, dakiye ki kahaani mein kawar ka bhi zikr aana zaroori hai.
Purane zamane ke din toh kya din the, yaar. Aaj ke dinon se koi muqaabla hi nahi. Woh alag hi baat thi—sukoon tha, apnapan tha, aur waqt tha apne liye. Aaj toh sab bhagdaud hai, har koi apni hi duniya mein khoya hua. Par phir bhi, jab hum peeche mudke dekhte hain, toh ek gehri yaad aati hai—woh subah ki chai, woh shaam ki baatein, woh khuli hawa mein hansi. Aur aaj? Mobile haath mein, nazar screen par, aur dil kahin aur. Haan, waqt badla hai, lekin kya sab kuch badalna zaroori tha? Yeh chapter bas wohi farq dikhata hai—kya tha aur kya ho gaya. Aur sach kahun toh, purane dinon ki yaad mein ek alag hi maza hai, chahe woh din ab wapas na aayen.
Aaj kal ke bachche screen ke aage jhuk kar padhte hain, laptop ya tablet le kar. Par pehle zamane mein bachche bahar nikalte the, khelte-kudte the, aur unki fitness ka level kuch aur hi tha. Har daur ki apni baat hai, na? Kisi ko computer ka sahuliyat mila, kisi ko maidaan ki khuli hawa. Dono ke apne fayde hain, bas dekhte ye hai ki hum kya chunte hain.
Yeh kahaani dil ko chhoo jaane wali hai—ek maa jo apne bachche ke liye raat-raat bhar jaagti hai, har lamha fikar mein ghuli jaati hai. Uski bebasi samajhne ke liye aapko sirf ek baar uski aankhon mein dekhna hoga. Summary itni seedhi hai ki shayad aap khud sochne lag jayein—kya main bhi is maa ki tarah hoon? Par haan, asal mein yeh sab kuch alag hai. Uski chinta mein ek ajeeb si gehrai hai, ek dard jo alfaaz se bahar hai. Aur woh bachcha? Uske liye toh maa ki har baat ek adhoori si baat lagti hai, par maa jaanti hai ki uski har pareshani ka ek matlab hai. Summary kehne ka matlab yahi hai: ek maa ki bebasi kabhi khatam nahi hoti, bas uske rang badalte rehte hain.
Ek maa apne bimar bachche ke liye dawa dhoondhne nikalti hai. Bas ek hi soch hoti hai—bachcha theek ho jaye. Vo door tak jaati hai, kabhi kuch nahi sochti, sirf chalti jaati hai. Raaste mein thak jaati hai, par rukti nahi. Aakhir mein, haan, vo safal ho hi jaati hai.
This chapter is all about the king for a day—the whole “ek din ki badshahat” idea. And here’s the moral that sticks with you:
Jab bhi kisi insaan ko ek din ke liye bhi zimmedari milti hai, toh usse halke mein nahi lena chahiye. Bilkul bhi nahi. Ho sakta hai woh sirf chaubis ghante ka mamla ho, lekin phir bhi—us din ka matlab hota hai. Power mili hai toh use sahi tarah se use karna hi asli akalmandi hai. Kuch log sochte hain, "Arey ek din toh kya hoga," aur phir poora din waste kar dete hain. Lekin jo samajhdar hai, woh jaanta hai ki ek din bhi kaafi hota hai agar usme sahi kaam kiya jaye. Toh chahe woh chhoti si zimmedari ho ya badi, usse nibhana hi chahiye. Power ka sahi upyog karna koi option nahi hai—woh zaroorat hai.
In solutions se aapko jo fayde milte hain, woh kaafi solid hain. Pehle toh, yeh aapka time bachata hai—kaam itna smooth ho jaata hai ki extra ghante lagane ki zaroorat nahi padti. Phir, paise ki bachat bhi hoti hai, kyunki chhote-chhote kharchon ka bojh kam ho jaata hai. Aur sabse badi baat, tension kam hoti hai. Aapko pata hai, jab sab kuch sahi jagah set ho, toh mann halka rehta hai. Yeh solutions practically aapki zindagi ko easy banate hain, bina kisi jhanjhat ke. Kuch log kehte hain "sab theek ho jaayega," lekin yahan aap asli mein woh experience karte ho. Toh haan, faayda toh hai hi, aur woh bhi kaafi visible.
Class 5 Hindi exam ke liye kuch tips: Sabse pehle, apni kitaab ke har chapter ko dhyan se padho. Koi bhi topic chhodo mat, kyunki exam mein kuch bhi aa sakta hai. Shayad tumhe lage ki yeh chapter easy hai, lekin phir bhi usko ek baar zaroor revise karo. Likhte waqt spellings ka khayal rakho, kyunki chhoti si galti bhi marks kaat sakti hai. Aur haan, writing practice karna mat bhoolna—kyunki likhne ki speed aur handwriting dono matter karte hain. Last mein, past papers solve karo, isse tumhe pattern samajh aayega aur confidence bhi badhega. Bas itna karo, aur exam mein tension lene ki koi zaroorat nahi.